So after 4 years I am extremely glad to announce that I have finally released a 5 track CD and Digital download and called it simply ‘The Abbey’. I have split the release of the album into two EP length releases ‘the Abbey’ and ‘St. Cecilia’. Most of the tracks on this release where recorded with Gem at Hive Studio’s in Glastonbury. I still have several guide tracks that i’m working on and 3 new songs that i’m planning to release as soon as possible. This could take a while and that’s why i’m releasing the tracks that are finished and ready.
I have strived to make this the best recording I can and at times my perfectionism has led me down
blind alleys. I re-mixed ‘Rollin On’ three times, re-recorded the vocals three times and took two separate summers in the UK to get all the other instrumentation down. Only two tracks, namely ‘I Feel Fine’ and ‘Another Platform’ were finished in that first summer after you all so kindly donated your hard earned cash to help me realise this dream. ‘Train Story’ was recorded in Australia and then Samantha Barry added Violin and Harmonica in the UK. Gem mixed the track and sent it over but on first listen I wasn’t happy and so, for many months it sat and did nothing. Sometimes you need to let these things alone for a while and after having another listen I realised it was perfect as it was! It’s actually my favourite track on the EP. I was also stuck with the acoustic version of ‘I’ll See Again’ that Sam and I laid down in those first sessions in Glastonbury. The Click track had bled through and I felt that i’d need to re-record. Once I’d dug it out however I realised that i’d only need to re-record the Guitar part and hey presto the track came back to life.
I have more, better songs in me and it is now my intention to sell as many copies as possible of ‘the Abbey’ to help fund the second leg of the journey and get back into recording. Please feel free to share the tracks around if you see fit. All in all I hope that you get something out of having a listen and please know that I would never have completed this important first lap if it hadn’t been for your support. Knowing that I had to deliver to my friends and family kept me going even when the expanses of time in between seemed to engulf me and leave me feeling very low and unable to proceed. I had to finish and so I thank you all from the bottom of my heart, your donations keep on giving. I promised you an album and have delivered only an EP length recording. Therefore the story is not finished. I have 5 more tracks unearthing themselves at my fingers and I strive to create the time to realise them. ‘St. Cecilia’ is the patron saint of music and it is in her name that i will finish the recording and writing of the next release.
Thank you, Thankyou, Thankyou all for being my friends and for supporting me with my dream.
Wayne R Davies
When to quit the day job.!
As an Independent artist the hardest thing to reach is ‘The tipping point.’ By which I mean, the point where there is enough momentum in your music career that you can give up the day job without risking the security of your family.
‘The Tipping Point’ catch 22 is this:” If I don’t dedicate enough time to my music career i’ll never get near the tipping point and yet if I dedicate all of my time to my music career i’ll be broke in about 2 months and therefore be further from the tipping point!” That is the fear. So what is the solution..
I don’t have the answers yet but i’ve researched a lot and the advice i’ve been given suggests the obvious. The three PPP’s. Patience, Perseverance and Planning.
So to help me with the third P i’ve found a couple of solutions..
Firstly, I used this little diagram to help me out, ..
So for me, some time off work is the way forward. I’ve booked a couple of days off but it’s not going to be enough.. Can i get my job to reduce my hours and therefore give me more time to work on music? We shall see… Otherwise a part time job could be the way forward..
SecondIy, I’ve been putting in place ‘systems’ which are enabling me to clear my head of all the lists and concentrate my efforts on one thing at a time. This seems to have really helped, for example, in my very limited time before work on wednesdays I review my music opportunities with sites like www.musicclout.com and www.taxi.com and submit to any that suit me. On thurs i spend that precious 30mins reviewing emails that have been sent to me. On Fridays ill rotate between booking gigs or addressing my Mailing list (which means for the first tim ein months i’ve actually communicated with them!)
My third bit of ‘Planning’ is to use the calendar!. So many times in the past i’ve had a rough date in the future for the intended release of the album. And, invariably, that date comes and goes.. So this time I haven’t actually picked that date yet but i’m placing into my calendar all the things that need to happen in order to release on time. By entering these ‘signposts’ into an actual calendar and sticking to them i’m hoping that this time round the ‘Album’ gets released.
That’s all for now, I’ll report back next month with some real progress… i hope!
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I’ve just posted a video for the song ‘Coffeeshop Crossroads’ on YouTube. Here is the link.>
The song is about not knowing which is the right way to go, always having several options available to us can be quite disconcerting at times. It was written in a cafe back in 2002 in Glastonbury and I released a version on the back of the single ‘I’ll See Again’ in the same year. I have stripped back a lot of the lyrics since then and changed the way i pick the bass notes with my thumb. It changes the feel a little bit and i’m wondering if i’ve lost some of the original sentiment, which is that no matter the cjoices that we have we are on the road home and hopefully we can find some trust that at the end there is only death and that we cannot possibly be heading in a wrong direction.
Anyway i hope you enjoy the video, thanks for listening,.
“It doesn’t matter what you get done, as long as you get going.” Anon.
Been a while,. Rollin Stones “pass the wine” on the stereo, feelin it at the moment. Progress on the album is afoot however. Laid down some Bass n Guitar on Flowers the other week,. Gotta get Sam in now to embellish it. I think Sam works best in the cans, ‘o apart from certain intimate live gigs,. She can shine. the gig on Friday at the King Arthur was grand, didn’t feel like our last at all. Smiffy has been a legend, is a legend and im going to give the man my 12 string guitar. Such a long time since last rehearsal and they both remembered everything. Hoping we can still get a version of Coffeeshop crossroads down before I leave for Australia.
I have been in England and performing with Samantha Barry on Fiddle and Graham Smith,
or ‘Smiffy’ on Double Bass. We’ve played a few dates but three have been memorable. The
first was at Enfest, which was our first event of the Summer. The second was a two song set
at the open mic every tuesday at the Hawthorns in Glastonbury. And the third was last
Thursday at the King Arthur, also Glastonbury.
I’m attempting to co-ordinate the recording sessions to finish the album. I still have £470
of the money donated and have about 3-4 songs in the bag. These sessions are to be
recorded at St. Dunstons house, which is right next to the Abbey grounds.
We’re going to record another 4 songs live acoustic. Were looking forward to this immensely,
i cant wait to play you the results. To all those who have donated and joined through the website,
you’ve helped me to get to this stage in the process of recording an album and that record is
nearly with us.
I have uploaded a track to the web for you to listen to….
thankyou for listening.
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Wednesday night at the Rife’s, a venture that started out back in 2007 with Durban Poison, and friends, Mark and Jamuna and Paul O’Reilly., the night ran for 2 years in the end, I booked the headline acts and produced a local gig listing magazine called the G.A.S. mag,. It stood for Glastonbury Alternative Scene’s and we had everything from Rock to Hip Hop and back through folk to Soul ! It was great, good times,. And yet I spent a lot of time and effort in the Rifleman’s.. And now it seems I’m going back again,. This time though, I know I can only be there for one Month,. Which is great because I believe the Wednesday nights worked best when we allowed others to have a go,. So I’m glad to say that Whitedog has a month long residency at the Rifes and that i will be inviting as many of my friends as I can to come and have a play,. I think it’ll work out ok..
The Green Gathering 2014 at Chepstow was inspiring in 2 ways. Firstly watching Rory Mcloud was a real pleasure, I’ve heard him round the campfire and caught brief glimpses of him before, but I really got to see this show and he blew me away. He really knows the sound he’s looking for and his guitar was fantastic. He’s a singer songwriter with a folk feel but more than that, his use of a stomp box built into a piece of 6×8 board really got me thinking. Earlier in the day, I’d set up my own Stompbox for the first time on a stage that was resonating every time I tapped my feet. In the past I’ve stayed away from using the box because I find over long periods my foot aches and I can’t keep up the beat. Not having to worry about that or the position of the box was much easier and I found a lot more freedom using the box. Watching Rory effectively doing the same thing tied it all in. I think Tom Waits also used this to great effect although I’ve never seen his show.